When I’m not shooting weddings, I’m usually working with my brother Joel (partner in crime for BergsmaVisuals) on short video and film projects that fall under the category of “commercialized storytelling.” Regardless of how you feel about the merger of still and video in the new generation of cameras, it is no secret that Canon has completely changed the industry for guys like me. The Aperture team has embraced this shift in the market in more ways than I think people realize, and I’d like to share some insights into what this means for a shooter who is constantly juggling between stills and video in my post workflow.
